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home·artworks·The Lion's Group
The Lion's Group by Columbano Bordalo Pinheiro

plate no. 4804

The Lion's Group

Columbano Bordalo Pinheiro, 1885

oilRealismgenre paintingfigurestableinteriorgroup portraitmenskull
experienced study

Recreating this painting will help students develop skills in portraiture, composition with multiple figures, and creating a sense of depth and atmosphere using a limited palette. It also provides an opportunity to practice rendering textures and details in clothing and objects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on establishing the light source and creating a sense of depth through value changes.

  4. step 04

    Start adding details to the figures, paying attention to facial features and clothing.

  5. step 05

    Develop the textures of the table, objects, and background using layering and dry brushing.

  6. step 06

    Refine the edges and contours of the figures and objects to create a sense of realism.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the scene.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and harmonious composition.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · cadmium red light

Achieve the various browns and grays by mixing burnt umber, raw sienna, and ivory black in different proportions. Use white to lighten the values and red to add warmth to the skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions in the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting to paint.

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oil painting for beginners →how to learn by studying the masters →
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