apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Letter
The Letter by Morteza Katouzian

plate no. 9613

The Letter

Morteza Katouzian

oil, canvasRealismportraitfigureportraitwomanchildlettershadows
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabric textures, and understanding dramatic lighting and shadow play. It also provides practice in creating a focal point through value contrast.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and key elements.

  2. step 02

    Establish the dark background and overall value structure using thin washes of dark colors.

  3. step 03

    Block in the main shapes of the figures, focusing on accurate proportions and anatomical landmarks.

  4. step 04

    Develop the light areas on the woman's face, headscarf, and hands, carefully observing the highlights and shadows.

  5. step 05

    Render the fabric of the clothing, paying attention to the folds and drapery.

  6. step 06

    Add details to the child's face and hands, keeping the values darker to maintain the focal point on the woman.

  7. step 07

    Refine the edges and details throughout the painting, using subtle color variations to create depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect and create a sense of drama.

color palette

primary · ivory black · burnt umber · cadmium red · yellow ochre

secondary · titanium white · raw sienna · ultramarine blue

Achieve the dark tones by mixing ivory black and burnt umber. Use yellow ochre and cadmium red mixed with white for the skin tones. Mix ultramarine blue with burnt umber to create cooler shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy