apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Last Supper
The Last Supper by Luca Giordano

plate no. 2297

The Last Supper

Luca Giordano, 1695

oilBaroquereligious paintingfigurestablecolumnsreligious sceneLast Supperarchitecture
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating depth through atmospheric perspective. It also provides practice in rendering fabric and skin tones.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background elements, focusing on the architectural details and atmospheric perspective.

  4. step 04

    Start building up the figures, paying attention to proportions and anatomical accuracy.

  5. step 05

    Refine the details of the faces and clothing, adding highlights and shadows.

  6. step 06

    Work on the still life elements on the table, capturing the textures and reflections.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive image.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red

Achieve skin tones by mixing yellow ochre, burnt sienna, and titanium white. Use ultramarine blue and burnt sienna to create muted grays and browns for shadows. Add small amounts of cadmium red to warm up certain areas.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in details too early
  • →Ignoring the overall composition and value structure
  • →Using colors that are too saturated
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne