apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Last Sacraments
The Last Sacraments by Henry Mosler

plate no. 4017

The Last Sacraments

Henry Mosler, 1884

oilRealismgenre paintingfiguresbuildingsstairsreligious scenearchitecturecourtyard
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures in a complex architectural setting and understanding the use of light and shadow to create depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and figures, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Start painting the background architecture, focusing on capturing the texture and details of the stone walls.

  4. step 04

    Move on to the figures, starting with the priest and then the children, paying attention to their anatomy and clothing folds.

  5. step 05

    Carefully render the faces, capturing the expressions and details of the features.

  6. step 06

    Add the details of the objects in the scene, such as the table, bucket, and rake.

  7. step 07

    Refine the lighting and shadows, adding highlights and deepening the dark areas to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and details to achieve a cohesive and realistic representation.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to capture the texture and details of the architecture.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Ignoring the importance of light and shadow in creating depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy