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home·artworks·The Last Journey
The Last Journey by Jakub Schikaneder

plate no. 8866

The Last Journey

Jakub Schikaneder

oilRealismmythological paintingfiguresroadskybirdsscytheshadows
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and limited palette color mixing to create a somber mood. It also provides practice in depicting figures with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the road.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the sky and ground with broad strokes, paying attention to the atmospheric perspective.

  4. step 04

    Begin adding details to the figures, using darker values for shadows and lighter values for highlights.

  5. step 05

    Introduce the red tones of the second figure, blending them subtly with the surrounding colors.

  6. step 06

    Add the birds and other small details, such as the scythe and the shadows.

  7. step 07

    Refine the brushwork and edges to create a sense of depth and texture.

  8. step 08

    Add final highlights and shadows to enhance the contrast and create a focal point.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red light · yellow ochre

Achieve the muted tones by mixing burnt umber with ivory black and raw sienna. Add small amounts of cadmium red light to create the reddish hues. Use yellow ochre to create highlights in the sky and ground.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the loose, expressive brushwork.
  • →Creating too much contrast and losing the subtle gradations of value.
  • →Not paying attention to the atmospheric perspective, which can flatten the image.
  • →Using too many colors and creating a muddy or chaotic effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for expressive brushwork. Consider using a toned canvas to establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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