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home·artworks·The Last Day of a Condemned Man
The Last Day of a Condemned Man by Mihaly Munkacsy

plate no. 8599

The Last Day of a Condemned Man

Mihaly Munkacsy, 1872

oilRealismgenre paintingfigureinteriortablecandlesguardshadows
some experience helpful

Recreating this painting will help students develop skills in depicting dramatic lighting and creating a somber mood through color and brushwork. It also provides practice in rendering figures in shadow and suggesting details rather than explicitly defining them.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the figures and objects.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure and the distribution of light and shadow.

  3. step 03

    Develop the background, paying attention to the subtle variations in tone and the suggestion of texture.

  4. step 04

    Refine the figure of the condemned man, focusing on the details of his face and clothing.

  5. step 05

    Add the details of the table, candles, and other objects, paying attention to their relationship to the light source.

  6. step 06

    Develop the figure of the guard in the background, keeping it dark and indistinct.

  7. step 07

    Add final highlights and shadows to create a sense of depth and drama.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Use burnt umber and ivory black to create deep shadows. Mix raw sienna and titanium white for highlights. Add small amounts of yellow ochre and cadmium red light to warm up the shadows and highlights.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·underpainting

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Consider toning the canvas with a thin wash of burnt umber before beginning to paint.

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oil painting for beginners →how to learn by studying the masters →
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