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home·artworks·The landscape. The reeds in the river.
The landscape. The reeds in the river. by Volodymyr Orlovsky

plate no. 0084

The landscape. The reeds in the river.

Volodymyr Orlovsky, 1890

oilRealismlandscapetreeswaterreedsskylandscapepond
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how light interacts with water and foliage. Students will also practice creating a sense of atmosphere and distance through color and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, water, and horizon line.

  2. step 02

    Establish the sky with a light blue wash, adding subtle variations in tone for clouds.

  3. step 03

    Block in the dark masses of the trees and foliage, using a mix of greens and browns.

  4. step 04

    Add the base color for the water, a mix of greens and yellows, and indicate the areas of shadow.

  5. step 05

    Begin layering colors on the trees and foliage, building up texture and detail with short, broken brushstrokes.

  6. step 06

    Refine the water, adding highlights and reflections to create a sense of depth and movement.

  7. step 07

    Paint the reeds in the foreground, paying attention to their shape and the way they catch the light.

  8. step 08

    Add final details and adjustments to the overall composition, ensuring a cohesive and balanced image.

color palette

primary · sap green · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · cadmium yellow light · alizarin crimson

Mix greens by combining blues and yellows, and use burnt umber to create shadows and darker tones. Add white to lighten colors and create highlights.

techniques

  • ·layering
  • ·broken color
  • ·scumbling
  • ·wet-on-dry blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the trees and foliage.
  • →Creating a flat, lifeless water surface.
  • →Ignoring the subtle color variations in the sky.
  • →Making the foreground too dominant and distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 filbert brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits
  • ·oil paints

optional

  • ·palette knife
  • ·easel
  • ·painting medium

Use a medium-tooth canvas for better texture. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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