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home·artworks·The Lamentation of Abel
The Lamentation of Abel by Pieter Lastman

plate no. 0790

The Lamentation of Abel

Pieter Lastman

oil, panelBaroquereligious paintingfigureslandscapetreesskysheepaltar
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomy, and creating realistic skin tones with subtle color variations. It also provides practice in depicting complex compositions with multiple elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and landscape elements, paying attention to proportions and composition.

  2. step 02

    Block in the main areas of color, starting with the sky and background landscape.

  3. step 03

    Begin to develop the figures, focusing on accurate anatomical representation and skin tones.

  4. step 04

    Layer in shadows and highlights to create depth and volume in the figures and landscape.

  5. step 05

    Add details to the trees, altar, sheep, and other elements.

  6. step 06

    Refine the overall composition and color harmony.

  7. step 07

    Add final details and highlights to create a sense of realism and drama.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · ivory black · sap green

Achieve skin tones by mixing titanium white, burnt umber, yellow ochre, and cadmium red in varying proportions. Use ultramarine blue and ivory black to create cool shadows. Mix sap green with yellow ochre and burnt umber for the foliage.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions in the figures.
  • →Muddy or unrealistic skin tones.
  • →Lack of depth and volume in the landscape.
  • →Overworking the details and losing the overall harmony.
  • →Inaccurate anatomical representation.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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