
plate no. 7483
Gerard Terborch, 1655
Recreating this painting will help students develop skills in rendering complex textures and atmospheric perspective, as well as understanding how to create a focal point through value and composition.
technical profile
approach — 8 steps
Sketch the basic shapes and composition, focusing on the placement of the buildings and figures.
Establish the dark and light values using a limited palette of browns and grays.
Block in the main colors of the buildings, sky, and figures, paying attention to the overall color harmony.
Begin adding details to the buildings, such as the brickwork and wooden structures.
Refine the figures, focusing on their anatomy and clothing.
Add highlights and shadows to create depth and dimension.
Pay attention to the atmospheric perspective, making the background elements softer and less detailed.
Add final details and adjustments to complete the painting.
color palette
primary · burnt umber · raw sienna · ivory black · titanium white
secondary · red ochre · ultramarine blue · yellow ochre
Mix browns and grays by combining burnt umber, raw sienna, ivory black, and titanium white. Use ultramarine blue to create cooler grays for the sky and distant buildings. Add red ochre to create warm tones for the brickwork.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to capture the textures of the buildings and figures. Consider using a toned canvas to establish the overall color harmony.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne