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home·artworks·The kiss
The kiss by Jules Trayer

plate no. 6162

The kiss

Jules Trayer, 1858

oil, canvasRealismgenre paintingfiguresinteriorshawlchairdressaffection
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and capturing subtle expressions, as well as understanding how to depict fabric and drapery with realistic folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background, paying attention to the subtle variations in tone and texture.

  4. step 04

    Refine the figures, starting with the faces and hands, and then moving on to the clothing and accessories.

  5. step 05

    Pay close attention to the details of the shawl and the chair, capturing the intricate patterns and textures.

  6. step 06

    Add the highlights and shadows to create depth and dimension.

  7. step 07

    Blend and soften the edges to create a sense of realism.

  8. step 08

    Add final details and adjust values as needed to achieve a cohesive and harmonious result.

color palette

primary · ivory black · cadmium red · titanium white · yellow ochre

secondary · viridian · ultramarine blue · burnt umber

Mix various shades of gray and brown for the background and shadows. Use white and yellow ochre to create the skin tones, adding small amounts of red for warmth. Mix red with black and brown to create the deep reds of the shawl.

techniques

  • ·portraiture
  • ·drapery rendering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Neglecting the importance of blending and softening edges.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, cadmium red, titanium white, yellow ochre, viridian, ultramarine blue, burnt umber)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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