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home·artworks·The Joy of Playing
The Joy of Playing by Pieter Codde

plate no. 6475

The Joy of Playing

Pieter Codde

oilBaroquegenre paintingfigurelutedressmusical instrumentchairportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in painting wood textures and creating a sense of depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and lute.

  2. step 02

    Establish the background with a thin wash of warm brown tones.

  3. step 03

    Block in the main shapes of the figure, lute, and dress using simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow patterns.

  5. step 05

    Develop the details of the lute, including the strings, frets, and sound hole.

  6. step 06

    Work on the folds and drapery of the dress, using subtle value changes to create volume.

  7. step 07

    Add highlights and shadows to the collar and sleeves to create a sense of depth.

  8. step 08

    Refine the overall painting, adding final details and adjusting values as needed.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ivory black · burnt sienna · cadmium yellow light

Achieve the skin tones by mixing white, yellow ochre, and a touch of burnt sienna. Use raw umber and ivory black to create the darker shades in the dress and background. Mix yellow ochre and burnt sienna for the lute.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth through value changes.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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