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home·artworks·The Jester
The Jester by Judith Leyster

plate no. 6337

The Jester

Judith Leyster, 1625

oilBaroqueportraitfigureportraitlutemusical instrumentclothinghat
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing facial expressions and rendering the textures of clothing and musical instruments. It also provides practice in using a limited palette to create a sense of depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, lute, and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the skin tones, clothing, and lute.

  4. step 04

    Begin to refine the details of the face, paying attention to the highlights and shadows that define the features.

  5. step 05

    Add details to the lute, including the strings, sound hole, and decorative elements.

  6. step 06

    Work on the clothing, adding folds, wrinkles, and texture.

  7. step 07

    Refine the background, ensuring that it complements the figure and lute.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · yellow ochre · burnt umber · ivory black

secondary · raw sienna · titanium white · cadmium red light

Mix skin tones using yellow ochre, burnt umber, and titanium white. Use burnt umber and ivory black for shadows and dark areas. Add small amounts of cadmium red light to warm up the skin tones and clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the overall harmony.
  • →Getting the proportions of the face or lute wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, ivory black, titanium white, cadmium red light, raw sienna)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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