
plate no. 6659
Edouard Manet, 1860
This portrait would develop skills in flesh tone mixing, fabric rendering with multiple textures, and creating dramatic lighting against dark backgrounds typical of classical portraiture.
technical profile
approach — 8 steps
Begin with charcoal sketch focusing on proportions and placement of figure against dark background
Block in the darkest darks of the background using burnt umber mixed with ivory black
Establish the basic flesh tones using a warm base mixture, working from shadow to light
Paint the white head covering and blouse areas, noting how light reflects differently on various fabric textures
Add the red costume elements, paying attention to how the color shifts in light and shadow
Develop facial features with careful attention to the directional lighting from the left
Refine fabric textures and jewelry details with smaller brushes
Final adjustments to highlight the strongest light areas and deepen the darkest shadows
color palette
primary · burnt umber · titanium white · cadmium red light · yellow ochre
secondary · ivory black · raw sienna · cadmium yellow pale · ultramarine blue
Flesh tones require warm base of yellow ochre, white, and touch of red, modified with raw sienna for shadows and cooled with tiny amounts of blue in reflected light areas
techniques
common pitfalls
surface · stretched canvas primed with white gesso
required
optional
A warm-toned ground would help unify the painting, but white gesso allows for maximum color intensity in the lighter areas
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