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home·artworks·The interior of the Pantheon (Rome)
The interior of the Pantheon (Rome) by Giovanni Paolo Panini

plate no. 8205

The interior of the Pantheon (Rome)

Giovanni Paolo Panini, 1734

oil, canvasBaroqueinteriorarchitectureinteriordomecolumnsfigureslight
experienced study

Recreating this painting will help students develop skills in perspective drawing, rendering architectural details, and capturing the effects of light and shadow within a large interior space. It also offers practice in painting figures in various poses and sizes to create a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall perspective and proportions of the Pantheon's interior.

  2. step 02

    Divide the dome into sections and sketch the coffered pattern, paying close attention to the diminishing size as it recedes.

  3. step 03

    Rough in the positions of the columns, statues, and other architectural elements.

  4. step 04

    Block in the main areas of light and shadow using a limited palette of grays and browns.

  5. step 05

    Start adding details to the architectural elements, such as the columns, cornices, and inscriptions.

  6. step 06

    Paint the figures in the foreground, paying attention to their poses and clothing.

  7. step 07

    Gradually add more details and refine the values to create depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · gray · ochre · burnt umber

secondary · white · blue · red

Use a limited palette of earth tones and grays, mixing white to create lighter values and adding small amounts of blue or red to create subtle color variations.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·scumbling
  • ·glazing

common pitfalls

  • →Incorrect perspective leading to a distorted image.
  • →Overworking details and losing the overall sense of atmosphere.
  • →Failing to create a convincing sense of depth.
  • →Inaccurate proportions of architectural elements.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches or larger)
  • ·Oil paints (gray, ochre, burnt umber, white, blue, red)
  • ·Brushes (round and flat, various sizes)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish

A smooth canvas surface will be helpful for rendering the details. Consider using a toned ground to establish a base value.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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