apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Interior of the Nieuwe Kerk Haarlem
The Interior of the Nieuwe Kerk Haarlem by Pieter Saenredam

plate no. 8695

The Interior of the Nieuwe Kerk Haarlem

Pieter Saenredam

oilBaroqueinteriorarchitectureinteriorcolumnswindowsfigureschurch
some experience helpful

Recreating this painting will help students develop skills in perspective drawing, color mixing for subtle tonal variations, and rendering architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic architectural structure, paying close attention to perspective and proportions.

  2. step 02

    Establish the horizon line and vanishing points.

  3. step 03

    Block in the main areas of color: ceiling, walls, floor, and windows.

  4. step 04

    Gradually build up the tonal values, starting with the darkest shadows and working towards the highlights.

  5. step 05

    Add details to the columns, windows, and ceiling, using a fine brush.

  6. step 06

    Paint the figures in the foreground, keeping them simple and understated.

  7. step 07

    Refine the details and adjust the tonal values as needed.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · ultramarine blue · cadmium red light

Achieve the subtle variations in the walls and floor by mixing white with small amounts of raw umber and yellow ochre. Use ultramarine blue to create the cool tones in the windows.

techniques

  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·tonal painting
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective can ruin the entire painting.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Using too much color can detract from the overall harmony.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a fine-grain canvas for smoother details. Consider using a medium to improve the flow of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne