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home·artworks·The Innere Burgplatz in Vienna
The Innere Burgplatz in Vienna by Samuel Dirksz van Hoogstraten

plate no. 7189

The Innere Burgplatz in Vienna

Samuel Dirksz van Hoogstraten, 1652

oilBaroquecityscapebuildingskycloudsfigurescityscapearchitecture
experienced study

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering complex architectural details. It also provides practice in painting figures in a crowd and capturing the effects of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective of the buildings and square.

  2. step 02

    Block in the main shapes of the buildings using simplified values and colors.

  3. step 03

    Establish the sky and cloud formations, paying attention to the atmospheric perspective.

  4. step 04

    Start adding details to the architecture, focusing on the windows, rooflines, and other structural elements.

  5. step 05

    Begin adding figures to the square, starting with larger groups and then adding individual details.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · ultramarine blue · burnt sienna

Achieve the building's color by mixing yellow ochre, raw umber, and white. Use ultramarine blue and white for the sky, and burnt sienna for warmer tones in the shadows.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective
  • →Overworking details too early
  • →Ignoring atmospheric perspective
  • →Muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for detail work.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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