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home·artworks·The Inn at Montigny les Cormeilles
The Inn at Montigny les Cormeilles by Camille Corot

plate no. 7963

The Inn at Montigny les Cormeilles

Camille Corot, 1830

oilRealismcityscapebuildingsvillageskylandscapehousesarchitecture
some experience helpful

Recreating this painting will help students understand how to depict form using subtle value changes and how to create a sense of depth through atmospheric perspective. It also provides practice in capturing architectural details with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the horizon line.

  2. step 02

    Block in the sky with a thin wash of grey and blue, allowing for variations in tone.

  3. step 03

    Establish the dark values of the roofs and shadows on the buildings using burnt umber and a touch of black.

  4. step 04

    Paint the lighter areas of the buildings with a mix of white and a small amount of ochre or grey.

  5. step 05

    Add details to the buildings, such as windows and chimneys, using smaller brushes.

  6. step 06

    Create the distant landscape with muted greens and blues, softening the edges to suggest distance.

  7. step 07

    Refine the shadows and highlights to create a sense of depth and form.

  8. step 08

    Add final details, such as the figure and any small architectural elements.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · ivory black · raw sienna

Mix white with small amounts of umber and ochre to create the various shades of the buildings. Use blue and umber to create the grey tones for the sky and shadows.

techniques

  • ·value studies
  • ·atmospheric perspective
  • ·simplified brushstrokes
  • ·color mixing
  • ·blocking in

common pitfalls

  • →Overworking the details
  • →Using too much pure white
  • →Ignoring the subtle value changes
  • →Creating harsh edges

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·yellow ochre oil paint

Use a medium-tooth canvas for best results. Thin the oil paints with linseed oil for smoother blending.

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