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home·artworks·The Infanta Maria Theresa, daughter of Philip IV of Spain
The Infanta Maria Theresa, daughter of Philip IV of Spain by Diego Velázquez

plate no. 0145

The Infanta Maria Theresa, daughter of Philip IV of Spain

Diego Velázquez, 1654

oil, canvasBaroqueportraitportraitfigurehairclothingfacehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering complex textures like hair and fabric. It also provides practice in creating a sense of depth and form through careful value control.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, hair, and shoulders.

  2. step 02

    Establish the background with a dark, neutral color.

  3. step 03

    Block in the main areas of color for the face, hair, and clothing.

  4. step 04

    Begin layering and blending the skin tones, paying attention to highlights and shadows.

  5. step 05

    Add details to the hair, including the curls and ornaments.

  6. step 06

    Refine the features of the face, such as the eyes, nose, and mouth.

  7. step 07

    Paint the clothing, adding subtle folds and highlights.

  8. step 08

    Make final adjustments to the values and details to create a sense of realism.

color palette

primary · titanium white · burnt umber · cadmium red light · ivory black

secondary · yellow ochre · ultramarine blue

Skin tones are achieved by mixing white, red, umber, and a touch of yellow ochre. Hair color is a mix of umber, black, and white, with highlights added using yellow ochre. The white fabric is tinted with small amounts of blue and umber to create shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the face and head.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Getting the likeness wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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