
plate no. 3950
Diego Velázquez, 1630
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding the use of light and shadow to create form.
technical profile
approach — 8 steps
Create a light sketch of the composition, focusing on proportions and placement of the figure.
Block in the main shapes and colors of the background, clothing, and skin tones with thin washes of paint.
Begin to build up the values and details of the face, paying close attention to the light and shadow.
Develop the texture and form of the hair, using small, controlled brushstrokes.
Render the details of the collar, focusing on the subtle variations in color and value.
Add details to the clothing, including the buttons and fabric folds.
Refine the overall composition, adjusting values and adding highlights where needed.
Add final details and glazes to unify the painting.
color palette
primary · ivory black · raw umber · burnt sienna · titanium white
secondary · yellow ochre · cadmium red light
Mix skin tones using white, yellow ochre, and a touch of red and burnt sienna. Use ivory black and raw umber to create the dark background and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface is recommended for detailed portraiture.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne