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The hunter by Michele Cammarano

plate no. 1808

The hunter

Michele Cammarano

oil, canvasRealismportraitportraitmanhatgunclothingmustache
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding how to create depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and gun on the canvas.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main areas of color for the skin, clothing, and hat, focusing on accurate values.

  4. step 04

    Refine the facial features, paying close attention to the highlights and shadows.

  5. step 05

    Develop the details of the clothing, including the folds and textures.

  6. step 06

    Paint the gun, focusing on its metallic appearance and reflections.

  7. step 07

    Add the subtle details of the hat and feather.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, titanium white, and small amounts of cadmium red light and ultramarine blue. Use ivory black and burnt umber to create the dark background and shadows.

techniques

  • ·portrait sketching
  • ·value studies
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the facial features.
  • →Overly harsh or flat skin tones.
  • →Neglecting the subtle value changes that create depth.
  • →Getting the gun's metallic sheen wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, yellow ochre, cadmium red light, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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