apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Honourable John Nevile Manners
The Honourable John Nevile Manners by John Everett Millais

plate no. 6707

The Honourable John Nevile Manners

John Everett Millais, 1896

oil, canvasRealismportraitportraitboyred clothingfoliagetennis racketlandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and rendering fabric textures, as well as understanding how to create depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad, dark tones, gradually adding variations in color and texture to suggest foliage.

  3. step 03

    Block in the main shapes of the figure, starting with the red clothing and then the skin tones.

  4. step 04

    Refine the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Develop the details of the clothing, including the folds and creases, and the white collar and cuffs.

  6. step 06

    Add the tennis racket and shuttlecock, focusing on their textures and details.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · alizarin crimson · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · sap green

Mix reds with burnt umber to create deeper shadows in the clothing. Use yellow ochre and white for skin tones, adding small amounts of red for warmth. Mix ultramarine blue with burnt umber for dark background tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figure
  • →Failing to create a sense of depth
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·retouching varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy