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home·artworks·The Hon. Henry Gullett MLC
The Hon. Henry Gullett MLC by Julian Ashton

plate no. 3665

The Hon. Henry Gullett MLC

Julian Ashton, 1905

oilRealismportraitportraitmanclothingbookbeardfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background with a dark, muted tone, leaving the figure as the focal point.

  3. step 03

    Block in the main areas of color for the skin, clothing, and book, using thin washes of paint.

  4. step 04

    Gradually build up the values and details in the face, paying close attention to the highlights and shadows to create form.

  5. step 05

    Refine the clothing, adding details such as buttons, folds, and textures.

  6. step 06

    Work on the hands and the book, adding subtle details to make them appear realistic.

  7. step 07

    Adjust the overall composition and values to create a sense of depth and harmony.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · ivory black

secondary · cadmium red light · yellow ochre · viridian

Mix skin tones using white, yellow ochre, and a touch of red. Achieve the dark background by mixing black and umber. Use viridian and white to create the green of the book.

techniques

  • ·portraiture
  • ·value studies
  • ·layering
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall impression.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·viridian oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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