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home·artworks·The Holy Family with the Infant St. John the Baptist
The Holy Family with the Infant St. John the Baptist by Bartolomé Esteban Murillo

plate no. 9080

The Holy Family with the Infant St. John the Baptist

Bartolomé Esteban Murillo, 1670

oil, canvasBaroquereligious paintingfiguresinteriorarchitecturelandscapereligious
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective and value control. It also offers practice in capturing subtle skin tones and the interplay of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and values using thinned washes of color, focusing on the overall light and shadow patterns.

  3. step 03

    Develop the background landscape and architectural details, paying attention to atmospheric perspective.

  4. step 04

    Begin to refine the figures, starting with the larger forms and gradually adding details like facial features and drapery folds.

  5. step 05

    Mix and apply skin tones, using subtle variations in color and value to create a sense of depth and realism.

  6. step 06

    Work on the drapery, using highlights and shadows to define the folds and create a sense of volume.

  7. step 07

    Add the final details, such as the tools, basket, and other objects in the scene.

  8. step 08

    Glaze and adjust colors as needed to achieve the desired effect.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. Use ultramarine blue and burnt umber to create grays and blacks for shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a high-quality canvas primed with gesso. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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