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home·artworks·The Holy Family with St. Elizabeth and little John the Baptist
The Holy Family with St. Elizabeth and little John the Baptist by Jacques Stella

plate no. 0146

The Holy Family with St. Elizabeth and little John the Baptist

Jacques Stella

oilBaroquereligious paintingfiguresfamilyreligiouslandscapesheeparchitecture
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a harmonious color palette with subtle variations. It also offers practice in depicting soft lighting and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the figures.

  2. step 02

    Block in the main shapes and colors of the background, including the architecture and landscape.

  3. step 03

    Roughly sketch the figures, paying attention to proportions and poses.

  4. step 04

    Start building up the skin tones using thin layers of paint, focusing on highlights and shadows.

  5. step 05

    Develop the drapery, using a limited palette to create a sense of unity.

  6. step 06

    Add details to the faces, including eyes, nose, and mouth.

  7. step 07

    Paint the sheep, using short, broken strokes to create the texture of the wool.

  8. step 08

    Refine the details and add finishing touches, such as highlights and shadows.

color palette

primary · burnt umber · ultramarine blue · yellow ochre · titanium white

secondary · cadmium red · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and ultramarine blue to create shadows and depth. Mix white with small amounts of other colors to create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall harmony.
  • →Using too many colors and creating a chaotic effect.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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