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home·artworks·The Hill of the Creeping Shadow, Flinders Ranges
The Hill of the Creeping Shadow, Flinders Ranges by Hans Heysen

plate no. 3750

The Hill of the Creeping Shadow, Flinders Ranges

Hans Heysen, 1929

oilRealismlandscapemountainshillslandscapeskydesertvegetation
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve earthy tones and practice layering to create depth in a landscape. It also offers practice in depicting subtle variations in light and shadow on uneven terrain.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and foreground, paying attention to perspective.

  2. step 02

    Establish a light blue/beige tone for the sky.

  3. step 03

    Block in the main areas of color for the mountains and foreground using thinned washes.

  4. step 04

    Begin layering darker tones to define shadows and create form.

  5. step 05

    Add highlights to suggest sunlight and create a sense of depth.

  6. step 06

    Refine the details of the vegetation and textures in the foreground.

  7. step 07

    Glaze thin layers of color to unify the painting and adjust the overall tone.

  8. step 08

    Add final details and highlights to emphasize the focal point.

color palette

primary · burnt sienna · yellow ochre · titanium white · ultramarine blue

secondary · raw umber · cadmium yellow · alizarin crimson

Mix burnt sienna and ultramarine blue to create various shades of brown and gray. Use yellow ochre and white to create highlights on the hills. Add alizarin crimson to burnt sienna for warmer tones in the foreground.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the details in the foreground.
  • →Creating mud by overmixing colors.
  • →Failing to establish a strong sense of depth.
  • →Ignoring the subtle color variations in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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