
plate no. 8284
Salomon Koninck, 1643
Recreating this painting will help students develop skills in portraiture, particularly rendering aged features and creating a sense of depth through chiaroscuro. It also provides practice in depicting textures like fabric, paper, and stone.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, book, and background elements.
Establish the dark background using a thin wash of dark brown.
Block in the main shapes of the figure, book, and rocks with mid-tone browns and grays.
Begin building up the highlights on the figure's face, beard, and hands, using lighter shades of brown and white.
Add details to the book, paying attention to the folds and texture of the pages.
Refine the details of the rocks and background, adding subtle variations in color and texture.
Glaze shadows to deepen the dark areas and enhance the three-dimensionality of the forms.
Add final highlights and details to complete the painting.
color palette
primary · raw umber · burnt umber · titanium white
secondary · yellow ochre · ivory black
Achieve the skin tones by mixing white, raw umber, and a touch of yellow ochre. Use burnt umber and ivory black to create the dark shadows and background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the transparency of the glazes.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne