
plate no. 1118
Gerrit Dou, 1670
Recreating this painting will help students understand chiaroscuro and how to create depth using light and shadow. It also provides practice in rendering textures of different objects like fabric, wood, and bone.
technical profile
approach — 8 steps
Prepare the canvas with a toned ground (e.g., burnt umber wash).
Create a preliminary sketch, focusing on the placement of the monk, the architecture, and the still life elements.
Block in the main shapes and values using thin washes of color.
Start building up the dark areas, paying attention to the light source and shadows.
Begin rendering the monk's figure, focusing on the folds of the robe and the details of the face.
Add details to the still life elements (skull, book, crucifix, etc.).
Refine the lighting and shadows, creating a sense of depth and atmosphere.
Add final details and highlights to complete the painting.
color palette
primary · burnt umber · raw umber · ivory black · titanium white
secondary · yellow ochre · cadmium red light
Achieve the dark, rich tones by mixing burnt umber and ivory black. Use yellow ochre and cadmium red light sparingly to add warmth to the highlights and mid-tones. White is used to create highlights and to lighten the darker colors.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.
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