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home·artworks·The Hermit
The Hermit by Gerrit Dou

plate no. 1118

The Hermit

Gerrit Dou, 1670

canvas, oilBaroquegenre paintingmonkskullbooktreearchitecturefoliage
experienced study

Recreating this painting will help students understand chiaroscuro and how to create depth using light and shadow. It also provides practice in rendering textures of different objects like fabric, wood, and bone.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a toned ground (e.g., burnt umber wash).

  2. step 02

    Create a preliminary sketch, focusing on the placement of the monk, the architecture, and the still life elements.

  3. step 03

    Block in the main shapes and values using thin washes of color.

  4. step 04

    Start building up the dark areas, paying attention to the light source and shadows.

  5. step 05

    Begin rendering the monk's figure, focusing on the folds of the robe and the details of the face.

  6. step 06

    Add details to the still life elements (skull, book, crucifix, etc.).

  7. step 07

    Refine the lighting and shadows, creating a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Achieve the dark, rich tones by mixing burnt umber and ivory black. Use yellow ochre and cadmium red light sparingly to add warmth to the highlights and mid-tones. White is used to create highlights and to lighten the darker colors.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the overall tonal harmony.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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