
plate no. 2253
Francisco Herrera, 1628
Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in mixing subtle color variations and capturing realistic skin tones.
technical profile
approach — 8 steps
Begin with a light sketch to establish the composition and placement of figures.
Block in the main shapes and colors of the background landscape.
Establish the basic values and colors of the figures, focusing on the large shapes of the robes and skin tones.
Refine the details of the faces, paying attention to the light and shadow.
Develop the folds and highlights in the drapery, using a variety of brushstrokes.
Add details to the landscape, such as trees and foliage.
Glaze thin layers of color to build depth and richness.
Add final highlights and details to complete the painting.
color palette
primary · burnt umber · titanium white · cadmium red · ultramarine blue
secondary · yellow ochre · viridian green · alizarin crimson
Mix browns and grays by combining burnt umber, ultramarine blue, and titanium white. Achieve skin tones by mixing cadmium red, yellow ochre, and titanium white, adjusting the proportions for different complexions. Use glazes of alizarin crimson to add depth to the reds.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.
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