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home·artworks·The gray day (beach with fishermen and boats)
The gray day (beach with fishermen and boats) by Giovanni Fattori

plate no. 1700

The gray day (beach with fishermen and boats)

Giovanni Fattori, 1891

oilRealismgenre paintingboatsbeachfishermenseaskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering textures with visible brushstrokes. It's a good exercise in capturing a mood and a sense of place.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements (boats, figures).

  2. step 02

    Block in the sky with light blues and grays, blending softly to create cloud formations.

  3. step 03

    Establish the sea with muted blues and greens, using horizontal strokes.

  4. step 04

    Lay in the base colors for the beach and rocks, using browns, ochres, and grays.

  5. step 05

    Add details to the boats, including the sails and rigging.

  6. step 06

    Paint the figures, paying attention to their proportions and placement within the scene.

  7. step 07

    Develop the textures of the beach and rocks with short, broken brushstrokes.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · payne's gray

Mix blues and whites for the sky and sea, adding small amounts of umber or gray to mute the colors. Browns and ochres mixed with white and umber will create the earthy tones of the beach.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Creating too much contrast, which can flatten the image.
  • →Neglecting the atmospheric perspective, which is crucial for creating depth.
  • →Making the brushstrokes too uniform, which can look unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·payne's gray oil paint
  • ·#6 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas to allow for good paint adhesion and texture.

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oil painting for beginners →how to learn by studying the masters →
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