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home·artworks·The grandmother
The grandmother by Léon Augustin Lhermitte

plate no. 2053

The grandmother

Léon Augustin Lhermitte, 1880

oil, canvasRealismgenre paintingfiguresinteriorchurchelderly womanchildreligious
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and drapery, as well as understanding subtle value changes to create form. It also offers practice in capturing the nuances of light and shadow in an interior setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using a thin wash of diluted paint.

  3. step 03

    Begin to refine the forms of the figures, focusing on accurate anatomy and drapery folds.

  4. step 04

    Develop the background and architectural elements, paying attention to perspective and light.

  5. step 05

    Add details to the faces and hands, capturing the expressions and textures.

  6. step 06

    Refine the lighting and shadows, creating depth and dimension.

  7. step 07

    Add final highlights and details to enhance the realism of the painting.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the tones.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use thin glazes of burnt sienna and ultramarine to create shadows and depth.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering drapery

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or bright colors.
  • →Lack of attention to subtle value changes.
  • →Ignoring the effect of light on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for the painting.

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