plate no. 2053
The grandmother
Léon Augustin Lhermitte, 1880
study guide
est. 20 hrsapproach — 8 steps
- step 01
Create a preliminary sketch to establish the composition and proportions of the figures.
- step 02
Block in the main shapes and values using a thin wash of diluted paint.
- step 03
Begin to refine the forms of the figures, focusing on accurate anatomy and drapery folds.
- step 04
Develop the background and architectural elements, paying attention to perspective and light.
- step 05
Add details to the faces and hands, capturing the expressions and textures.
- step 06
Refine the lighting and shadows, creating depth and dimension.
- step 07
Add final highlights and details to enhance the realism of the painting.
- step 08
Glaze with thin layers of color to unify the painting and adjust the tones.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · burnt sienna · ultramarine blue
Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use thin glazes of burnt sienna and ultramarine to create shadows and depth.
techniques
- ·grisaille underpainting
- ·glazing
- ·scumbling
- ·chiaroscuro
- ·rendering drapery
common pitfalls
- →Incorrect proportions of the figures.
- →Overly harsh or bright colors.
- →Lack of attention to subtle value changes.
- →Ignoring the effect of light on the forms.
materials
surface · stretched canvas
required
- ·stretched canvas
- ·ivory black oil paint
- ·raw umber oil paint
- ·titanium white oil paint
- ·yellow ochre oil paint
- ·burnt sienna oil paint
- ·ultramarine blue oil paint
- ·assorted brushes (round and flat)
optional
- ·palette knife
- ·linseed oil
- ·turpentine
- ·medium gloss
Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for the painting.
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