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home·artworks·The grand vizier crosses the Atmeydanı (the hippodrome)
The grand vizier crosses the Atmeydanı (the hippodrome) by Jean Baptiste Vanmour

plate no. 7534

The grand vizier crosses the Atmeydanı (the hippodrome)

Jean Baptiste Vanmour, 1737

oil, canvasBaroquecityscapecityscapemosquearchitecturefiguresskytrees
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the main compositional elements: the mosque, the hippodrome, and the foreground.

  2. step 02

    Establish the sky with a base layer of blue, gradually adding lighter tones for clouds.

  3. step 03

    Block in the basic shapes of the mosque and other buildings, paying attention to perspective.

  4. step 04

    Develop the foreground with broad strokes, establishing the ground plane and tree masses.

  5. step 05

    Add details to the mosque, including the domes, minarets, and architectural ornamentation.

  6. step 06

    Paint the figures in the foreground, simplifying their forms and using small brushstrokes.

  7. step 07

    Refine the details of the buildings and landscape, adding highlights and shadows.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · burnt sienna · yellow ochre · ivory black

Achieve the sky colors by mixing ultramarine blue and titanium white, adding a touch of raw umber for muted tones. Create the building colors with raw umber, burnt sienna, and titanium white, adjusting the proportions for different shades.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering architectural details
  • ·figure painting

common pitfalls

  • →Getting lost in the details of the architecture too early.
  • →Failing to establish a clear sense of depth.
  • →Overworking the figures in the foreground.
  • →Not achieving a harmonious color palette.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for the brushwork.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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