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home·artworks·The Grand Vizier
The Grand Vizier by Jean Baptiste Vanmour

plate no. 1344

The Grand Vizier

Jean Baptiste Vanmour, 1737

oil, canvasBaroqueportraitfigureportraitclothingbeardarchitectureinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and capturing the texture of fabrics. It will also provide practice in creating a sense of depth and form through careful value control.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and placement within the architectural space.

  2. step 02

    Establish the background with dark, warm tones, suggesting the brickwork and the floor.

  3. step 03

    Block in the main shapes of the figure's clothing with a base layer of white mixed with a touch of gray or brown.

  4. step 04

    Begin to define the folds and shadows in the clothing, using darker shades of gray and brown to create depth.

  5. step 05

    Paint the face, starting with a light flesh tone and gradually adding shadows and highlights to define the features.

  6. step 06

    Add details to the beard and hair, using small brushstrokes to create texture.

  7. step 07

    Refine the architectural details, paying attention to the perspective and the play of light and shadow.

  8. step 08

    Add final highlights and details to the figure and background, ensuring that the overall composition is balanced and harmonious.

color palette

primary · titanium white · burnt umber · raw sienna

secondary · ivory black · cadmium red light

Mix white with small amounts of burnt umber and raw sienna to create the various shades of white in the clothing. Use burnt umber and ivory black to create the dark tones in the background and shadows. Add a touch of cadmium red light to the flesh tones for warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figure.
  • →Not capturing the correct skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a canvas with a smooth texture to facilitate blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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