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home·artworks·The grand visor crosses the Atmeydanı (Hippodrome)
The grand visor crosses the Atmeydanı (Hippodrome) by Jean Baptiste Vanmour

plate no. 0518

The grand visor crosses the Atmeydanı (Hippodrome)

Jean Baptiste Vanmour, 1737

oil, canvasBaroquegenre paintingmosquearchitecturefiguresskytreesprocession
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details with simplified forms. It will also provide practice in painting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective.

  2. step 02

    Block in the sky with broad strokes, establishing the overall color and value.

  3. step 03

    Roughly define the major architectural elements, focusing on their shapes and proportions.

  4. step 04

    Establish the foreground with a base layer of greens and browns.

  5. step 05

    Add details to the mosque and other buildings, gradually refining their forms.

  6. step 06

    Paint the figures, simplifying their forms and focusing on their placement within the scene.

  7. step 07

    Develop the trees and foliage, using varied brushstrokes to create texture.

  8. step 08

    Add final details and highlights to enhance the overall sense of depth and realism.

color palette

primary · Prussian blue · Burnt umber · Titanium white

secondary · Yellow ochre · Raw sienna · Cadmium red light

Mix various shades of blue and white for the sky. Combine burnt umber, yellow ochre, and white for the architectural elements. Use a mix of greens and browns for the landscape.

techniques

  • ·Atmospheric perspective
  • ·Linear perspective
  • ·Scumbling
  • ·Glazing
  • ·Dry brushing

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong sense of perspective.
  • →Overworking the painting and losing its freshness.
  • →Inaccurate color mixing leading to a muddy appearance.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian blue, Burnt umber, Titanium white, Yellow ochre, Raw sienna, Cadmium red light)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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