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home·artworks·The Gold Weigher
The Gold Weigher by Salomon Koninck

plate no. 5921

The Gold Weigher

Salomon Koninck, 1654

oilBaroqueportraitfigureinteriorwindowtablebooksmoney
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and creating depth through atmospheric perspective. It also provides practice in depicting textures like fabric and wood.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure and objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the main colors of the background, figure, and table, focusing on accurate color temperature.

  4. step 04

    Begin refining the details of the figure's face and hands, using layering and blending techniques.

  5. step 05

    Add details to the books, coins, and other objects on the table, paying attention to highlights and shadows.

  6. step 06

    Develop the textures of the clothing and the table cloth, using dry brush or scumbling techniques.

  7. step 07

    Refine the lighting and atmospheric perspective, adding subtle color variations to create depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · yellow ochre · ivory black · titanium white

secondary · cadmium red · viridian green

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create depth in the background by adding small amounts of green and black to the base colors.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, yellow ochre, ivory black, titanium white, cadmium red, viridian green)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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