apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Goilberdingenpoort in Culemborg Su
The Goilberdingenpoort in Culemborg Su by Johan Hendrik Weissenbruch

plate no. 2802

The Goilberdingenpoort in Culemborg Su

Johan Hendrik Weissenbruch

oilRealismcityscapetowerbuildingfigureswallskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in value studies and creating atmospheric perspective using a limited palette. It also provides practice in rendering textures of brick and stone.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: the tower, buildings, and figures.

  2. step 02

    Establish the darkest darks first, focusing on areas in shadow like the wall and the base of the tower.

  3. step 03

    Block in the mid-tones for the tower and buildings, paying attention to the direction of light.

  4. step 04

    Begin adding details to the tower, such as windows and brick textures, using varying shades of gray.

  5. step 05

    Develop the sky with soft, blended tones to create a sense of atmosphere.

  6. step 06

    Add the figures in the foreground, focusing on their silhouettes and basic forms.

  7. step 07

    Refine the details and textures throughout the painting, adding highlights and shadows to create depth.

  8. step 08

    Make final adjustments to the values and contrast to enhance the overall composition.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Achieve various shades of gray by mixing black and white in different proportions. Use raw umber or payne's gray to create warmer or cooler grays.

techniques

  • ·value study
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating too much contrast, resulting in a harsh image.
  • →Ignoring the importance of atmospheric perspective, making the background appear flat.
  • →Not varying the textures enough, leading to a monotonous surface.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas (light gray) can be helpful for establishing values quickly.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy