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home·artworks·The Goddess Ceres set in a Garland of Flowers
The Goddess Ceres set in a Garland of Flowers by Erasmus Quellinus the Younger

plate no. 7421

The Goddess Ceres set in a Garland of Flowers

Erasmus Quellinus the Younger

oil, canvasBaroqueflower paintingflowersstatuegarlandgoddessfoliageurn
some experience helpful

Recreating this painting will help students develop skills in rendering floral forms, creating depth through layering, and achieving a muted, classical color palette. Students will also learn to depict the subtle gradations of light and shadow on the statue.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the urn, statue, and garland.

  2. step 02

    Block in the background with a dark, muted tone.

  3. step 03

    Establish the main light source and begin to define the statue's form with highlights and shadows.

  4. step 04

    Start layering in the flowers, focusing on their general shapes and colors.

  5. step 05

    Add details to the flowers, paying attention to the variations in petal shapes and colors.

  6. step 06

    Refine the statue's details, including the drapery and facial features.

  7. step 07

    Add highlights and shadows to the garland to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the colors and values are balanced.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · alizarin crimson

Achieve the muted tones by mixing complementary colors and adding white or black. Use thin glazes of color to build up depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the details too early
  • →Creating colors that are too bright or saturated
  • →Failing to establish a clear light source
  • →Losing the overall composition in the details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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