apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Gardens of l'Hermitage, Pontoise
The Gardens of l'Hermitage, Pontoise by Camille Pissarro

plate no. 9157

The Gardens of l'Hermitage, Pontoise

Camille Pissarro, 1867

oil, canvasRealismlandscapelandscapebuildingstreesskycloudsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in capturing the subtle variations of light and shadow in a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the buildings and trees.

  2. step 02

    Block in the sky with a light blue, adding hints of white for the clouds.

  3. step 03

    Establish the main shapes of the buildings with a warm yellow-ochre, paying attention to the light and shadow.

  4. step 04

    Begin layering in the trees, using a mix of greens, browns, and blues to create depth and variation.

  5. step 05

    Paint the foreground field with a base of brown, then add variations of greens and yellows to suggest vegetation.

  6. step 06

    Add the figures in the foreground, keeping them simple and suggestive.

  7. step 07

    Refine the details of the buildings and trees, adding highlights and shadows to create form.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · sap green · cadmium yellow

Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the warm tones of the buildings by mixing yellow ochre with a small amount of burnt umber and white.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details, losing the overall impressionistic feel.
  • →Creating too much contrast, making the painting appear harsh.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Using too much green without variation, resulting in a flat, unrealistic landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, sap green, cadmium yellow)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy