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home·artworks·The Gardeners of the Veil Picard
The Gardeners of the Veil Picard by Giovanni Boldini

plate no. 1664

The Gardeners of the Veil Picard

Giovanni Boldini, 1897

oil, woodRealismportraitfigureportraitbenchgardentreesfoliage
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing likeness and creating depth through layering and subtle color variations. It also provides practice in rendering textures, such as the wooden bench and the foliage in the background.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the bench.

  2. step 02

    Establish the background with broad strokes, focusing on the overall color and value relationships.

  3. step 03

    Block in the main areas of the figure, paying attention to the light and shadow patterns.

  4. step 04

    Refine the facial features, focusing on capturing the likeness of the subject.

  5. step 05

    Add details to the clothing and hands, using smaller brushes and more precise strokes.

  6. step 06

    Develop the texture of the bench with short, broken brushstrokes.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · sap green · yellow ochre · cadmium red

Mix various shades of brown and green by blending the primary colors. Use white to lighten the colors and create highlights. Add small amounts of red to warm up the browns.

techniques

  • ·portraiture
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·alla prima

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, sap green, yellow ochre, cadmium red)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a painting medium to improve the flow and blending of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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