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home·artworks·The Franciscan. Duns Scotus in his cell
The Franciscan. Duns Scotus in his cell by Giacomo Favretto

plate no. 3088

The Franciscan. Duns Scotus in his cell

Giacomo Favretto, 1872

oil, canvasRealismgenre paintingfigureinteriorbookstablecrossmonk
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and creating a sense of depth through subtle value changes. It also provides practice in painting textures of different materials like wood, cloth, and paper.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and composition, paying attention to proportions.

  2. step 02

    Establish the background color with a thin wash of neutral tones.

  3. step 03

    Block in the main areas of color for the figure, table, and other objects.

  4. step 04

    Begin refining the values and details of the figure, focusing on the face and hands.

  5. step 05

    Develop the textures of the clothing, books, and wooden surfaces.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Paint the details of the cross and other small objects.

  8. step 08

    Make final adjustments to the composition and values to create a cohesive and realistic painting.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Use raw umber and ivory black mixed with white to create the various shades of gray and brown. Add small amounts of yellow ochre or burnt sienna to warm up the colors.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a neutral color can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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