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home·artworks·The Flea-Catcher (Boy with his Dog)
The Flea-Catcher (Boy with his Dog) by Gerard Terborch

plate no. 8114

The Flea-Catcher (Boy with his Dog)

Gerard Terborch, 1655

oil, canvasBaroquegenre paintingboydoginteriorchairhattable
some experience helpful

This painting offers practice in rendering realistic skin tones and textures, as well as creating a sense of depth through subtle value changes. Students will also learn to depict fabric folds and the anatomy of a dog.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to proportions.

  2. step 02

    Establish the background with thin washes of brown and gray.

  3. step 03

    Block in the main areas of color for the boy, dog, and objects.

  4. step 04

    Begin refining the values and details in the face and hands.

  5. step 05

    Develop the textures of the clothing, fur, and wooden surfaces.

  6. step 06

    Add highlights and shadows to create form and depth.

  7. step 07

    Refine the details and edges, softening where necessary.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the skin tones by mixing burnt umber, raw sienna, and titanium white. Use ultramarine blue and burnt umber to create the darker shades of the clothing and background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·blending

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions in the initial sketch
  • →Using colors that are too saturated
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a canvas with a fine weave for smoother blending. Consider using a toned canvas to establish the mid-tones.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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