
plate no. 8114
Gerard Terborch, 1655
This painting offers practice in rendering realistic skin tones and textures, as well as creating a sense of depth through subtle value changes. Students will also learn to depict fabric folds and the anatomy of a dog.
technical profile
approach — 8 steps
Sketch the basic shapes and composition, paying attention to proportions.
Establish the background with thin washes of brown and gray.
Block in the main areas of color for the boy, dog, and objects.
Begin refining the values and details in the face and hands.
Develop the textures of the clothing, fur, and wooden surfaces.
Add highlights and shadows to create form and depth.
Refine the details and edges, softening where necessary.
Add final glazes to unify the painting and enhance the colors.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · ultramarine blue · yellow ochre · ivory black
Achieve the skin tones by mixing burnt umber, raw sienna, and titanium white. Use ultramarine blue and burnt umber to create the darker shades of the clothing and background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a fine weave for smoother blending. Consider using a toned canvas to establish the mid-tones.
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