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home·artworks·The Flagellation of Christ
The Flagellation of Christ by Guercino

plate no. 5129

The Flagellation of Christ

Guercino, 1657

oilBaroquereligious paintingfigurescolumnsskyarchitecturereligioustorso
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomical accuracy, and creating realistic skin tones with subtle value changes. It also provides practice in rendering architectural elements and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Develop the background, focusing on the sky and atmospheric perspective.

  4. step 04

    Begin refining the figures, paying close attention to anatomical accuracy and proportions.

  5. step 05

    Layer in highlights and shadows to create depth and volume in the figures.

  6. step 06

    Add details to the architectural elements, such as the columns and capitals.

  7. step 07

    Refine the skin tones, using subtle color variations to create a realistic effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · cadmium red · yellow ochre

Mix skin tones by blending burnt umber, raw sienna, and titanium white. Use ultramarine blue and white for the sky, and cadmium red and burnt umber for the red garments.

techniques

  • ·figure drawing
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions in figures
  • →Muddy skin tones
  • →Flat, lifeless rendering of architectural elements
  • →Lack of atmospheric perspective in the background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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