apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The fishermen
The fishermen by Michele Cammarano

plate no. 6088

The fishermen

Michele Cammarano, 1868

oil, cardboardRealismgenre paintingwaterfiguresboatsskysunsetstructures
some experience helpful

This painting offers practice in capturing atmospheric perspective and rendering reflections in water. Students can develop skills in depicting figures in a landscape and creating a sense of depth using color and value.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, the main structures, and the figures.

  2. step 02

    Establish the sky with blended layers of blues, pinks, and oranges, creating a soft sunset effect.

  3. step 03

    Block in the water with a base layer of muted greens and blues, paying attention to the color variations.

  4. step 04

    Paint the main structures (tower, boats) using browns and dark grays, adding details to define their forms.

  5. step 05

    Add the figures, focusing on their gestures and proportions, using a limited palette of earth tones.

  6. step 06

    Create reflections in the water by mirroring the colors and shapes of the objects above, softening the edges.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the objects and figures.

  8. step 08

    Refine the details and blend the colors to achieve a harmonious and atmospheric effect.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium orange · raw sienna · viridian

Achieve the sky colors by blending blues, oranges, and white. Mix muted greens and blues for the water, adding touches of brown for depth. Use burnt umber and white to create various shades of brown for the structures and figures.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating harsh lines and edges, which can detract from the soft, blended style.
  • →Failing to accurately capture the proportions of the figures.
  • →Inconsistent reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ultramarine blue, burnt umber, titanium white, cadmium orange, raw sienna, viridian)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy