apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The fisherman's family
The fisherman's family by Alessandro Milesi

plate no. 3179

The fisherman's family

Alessandro Milesi, 1887

oil, canvasRealismgenre paintingfiguresinteriorfamilynetchairclothing
some experience helpful

Recreating this painting will help students develop skills in capturing realistic skin tones and rendering textures with visible brushstrokes. It also provides practice in depicting figures in a dimly lit interior.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and major objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color masses for the figures, clothing, and background.

  4. step 04

    Develop the skin tones, using a limited palette of warm and cool colors.

  5. step 05

    Add details to the clothing and objects, focusing on capturing the textures and folds.

  6. step 06

    Refine the lighting and shadows, paying attention to the direction of the light source.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · yellow ochre · cadmium red light · viridian

Mix skin tones by combining white, red, yellow ochre, and a touch of burnt umber. Use viridian and yellow ochre to create the green hues in the woman's vest. Achieve the muted blues in the dress by mixing white, black, and a touch of viridian.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, yellow ochre, cadmium red light, viridian)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy