apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The first schoolday
The first schoolday by Jean Baptiste Vanmour

plate no. 4063

The first schoolday

Jean Baptiste Vanmour, 1737

oil, canvasBaroquegenre paintingfiguresarchitecturetreeslandscapeclothingprocession
some experience helpful

This painting provides an opportunity to practice rendering figures in various poses and clothing, as well as creating atmospheric perspective in a landscape setting. Students can also develop skills in mixing muted colors and capturing subtle light variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architecture.

  2. step 02

    Establish the background with a thin wash of muted greens and blues for the trees and sky.

  3. step 03

    Block in the main colors of the building, using a limited palette of grays and blues.

  4. step 04

    Begin painting the figures, starting with the larger groups and gradually adding details.

  5. step 05

    Pay attention to the folds and drapery of the clothing, using highlights and shadows to create form.

  6. step 06

    Add details to the faces and hands, capturing the expressions and gestures of the figures.

  7. step 07

    Refine the landscape, adding details to the trees and ground to create depth and texture.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of light and atmosphere.

color palette

primary · gray · ochre · brown · blue

secondary · green · red · yellow

Mix grays by combining black, white, and a touch of brown or blue. Achieve muted greens by mixing yellow, blue, and a small amount of brown. Use glazes to create subtle color variations in the clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of light and shadow.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of accurate proportions in the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (gray, ochre, brown, blue, green, red, yellow, white, black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne