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home·artworks·The First of November
The First of November by Hans Andersen Brendekilde

plate no. 3423

The First of November

Hans Andersen Brendekilde, 1884

oilRealismgenre paintingfiguresstreetbuildingsposterscobblestonecityscape
some experience helpful

Recreating this painting will help students develop skills in depicting figures in an urban environment and capturing the texture of various surfaces like cobblestone and weathered walls. It also provides practice in creating a sense of depth and atmosphere through color and value variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures, buildings, and perspective lines.

  2. step 02

    Block in the main color masses for the sky, buildings, and ground, focusing on accurate value relationships.

  3. step 03

    Develop the figures, paying attention to proportions, clothing folds, and skin tones.

  4. step 04

    Add details to the buildings, including the posters and architectural elements.

  5. step 05

    Paint the cobblestone street, varying the colors and values of individual stones to create texture.

  6. step 06

    Refine the lighting and shadows throughout the painting, enhancing the sense of depth.

  7. step 07

    Add final details, such as the figures in the background and the bare tree branches.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre · ivory black

Mix various shades of blue for the figures' clothing and the posters. Use burnt umber and white for the buildings and cobblestone, adding touches of yellow ochre and red for warmth. Create atmospheric perspective by lightening and desaturating colors in the background.

techniques

  • ·blocking in
  • ·layering
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Making the cobblestone street too uniform and flat.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Not establishing a clear value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas to allow for detailed brushwork. Consider using a toned canvas to speed up the painting process.

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