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home·artworks·The Fire at San Marcuola
The Fire at San Marcuola by Francesco Guardi

plate no. 5015

The Fire at San Marcuola

Francesco Guardi, 1789

oil, canvasBaroquegenre paintingbuildingsfirepeoplesmokecityscapesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and depicting the effects of light and shadow in a dramatic scene. It also provides practice in rendering figures in a crowd and suggesting detail with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the horizon line.

  2. step 02

    Block in the dark areas of the sky and the shadows on the buildings with a thin wash of burnt umber.

  3. step 03

    Establish the mid-tones on the buildings using a mix of raw sienna and white.

  4. step 04

    Add highlights to the buildings and the smoke using lighter tones of yellow ochre and white.

  5. step 05

    Paint the figures in the foreground with quick, gestural brushstrokes, using a mix of browns, reds, and whites.

  6. step 06

    Create the effect of fire and smoke by layering thin washes of yellow, orange, and red.

  7. step 07

    Refine the details of the buildings and figures, paying attention to the light and shadow.

  8. step 08

    Add final highlights and details to create a sense of depth and atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · cadmium red light

Achieve the smoky atmosphere by mixing burnt umber with white and a touch of yellow ochre. Create the fire glow by layering thin washes of cadmium red light and yellow ochre.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·gestural brushstrokes
  • ·layering

common pitfalls

  • →Overworking the details and losing the sense of atmosphere.
  • →Making the figures too defined and distracting from the overall scene.
  • →Not creating enough contrast between the light and dark areas.
  • →Using colors that are too bright and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grit canvas for a textured effect. Thin the oil paints with linseed oil or turpentine for smoother blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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