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home·artworks·The ferryman
The ferryman by Léon Augustin Lhermitte

plate no. 2969

The ferryman

Léon Augustin Lhermitte, 1911

pastelRealismlandscaperiverfiguresboatlandscapetreesvillage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting figures in a landscape setting with soft, blended pastel strokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, the river, the figures, and the distant village.

  2. step 02

    Establish the overall color scheme by applying a thin layer of pastel to the entire surface, creating a warm, muted background.

  3. step 03

    Block in the main shapes of the landscape elements, such as the trees, the hill, and the water, using broad strokes of color.

  4. step 04

    Develop the figures in the foreground, paying attention to their proportions and gestures.

  5. step 05

    Add details to the village in the distance, using lighter tones to create a sense of atmospheric perspective.

  6. step 06

    Refine the reflections in the water, using horizontal strokes to mimic the movement of the surface.

  7. step 07

    Add highlights and shadows to create depth and dimension, focusing on the areas where light is hitting the scene.

  8. step 08

    Blend and soften the pastel strokes to create a cohesive and atmospheric effect.

color palette

primary · burnt umber · raw sienna · ultramarine blue

secondary · yellow ochre · titanium white · alizarin crimson

Achieve the muted tones by mixing earth tones with small amounts of blue and white. Use red and yellow to create warm highlights.

techniques

  • ·pastel blending
  • ·atmospheric perspective
  • ·rendering reflections
  • ·figure drawing
  • ·scumbling

common pitfalls

  • →Overworking the pastel and losing the soft, atmospheric effect.
  • →Failing to establish a clear focal point.
  • →Ignoring the principles of perspective, especially in the depiction of the village and the river.
  • →Using colors that are too bright or saturated.

materials

surface · Toned pastel paper

required

  • ·Pastel set (soft pastels)
  • ·Pastel paper (toned)
  • ·Kneaded eraser
  • ·Blending stumps or tortillons
  • ·Fixative spray
  • ·Drawing board
  • ·Paper towels
  • ·Ruler

optional

  • ·Workable fixative
  • ·Palette knife
  • ·Easel

Choose a pastel paper with a slightly rough texture to grip the pastel. A mid-tone paper will make it easier to establish values.

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