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home·artworks·The Family of Jan Jacobsz Hinlopen
The Family of Jan Jacobsz Hinlopen by Gabriel Metsu

plate no. 8777

The Family of Jan Jacobsz Hinlopen

Gabriel Metsu, 1662

oil, canvasBaroqueportraitfamilyportraitinteriorfiguresdogsarchitecture
experienced study

Recreating this painting will help students develop skills in rendering complex figures and drapery, as well as understanding how to create a sense of depth and atmosphere in an interior scene. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the overall tonal values.

  3. step 03

    Start painting the figures, beginning with the largest and most central figure, paying attention to proportions and anatomical accuracy.

  4. step 04

    Gradually build up the details of the clothing, faces, and hands, using layering and glazing techniques.

  5. step 05

    Add the smaller figures and details such as the dogs, furniture, and architectural elements.

  6. step 06

    Refine the lighting and shadows to create a sense of depth and volume.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze the painting to unify the colors and create a smooth, polished finish.

color palette

primary · ivory black · yellow ochre · burnt umber

secondary · cadmium red · ultramarine blue · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for shadows. Create the fabric colors by mixing the primary colors with white to achieve the desired tints.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·layering
  • ·portraiture

common pitfalls

  • →Incorrect proportions of figures.
  • →Overworking details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate skin tone rendering.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·raw sienna oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface is recommended for glazing techniques.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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