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home·artworks·The Fall of Simon Magus
The Fall of Simon Magus by Sébastien Bourdon

plate no. 4788

The Fall of Simon Magus

Sébastien Bourdon, 1657

oilBaroquehistory paintingfiguresarchitectureskycolumncrowdlandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and rendering complex scenes with many figures. It also provides practice in creating atmospheric perspective and dramatic lighting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of major elements.

  2. step 02

    Block in the main shapes and colors, focusing on overall values and relationships.

  3. step 03

    Develop the background, paying attention to atmospheric perspective and color temperature.

  4. step 04

    Refine the figures, adding details and modeling forms with light and shadow.

  5. step 05

    Work on the architectural elements, ensuring accurate perspective and proportions.

  6. step 06

    Add highlights and details to create focal points and visual interest.

  7. step 07

    Glaze layers to unify the colors and create depth.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · ivory black · raw sienna

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white. Create atmospheric effects by layering diluted blues and grays. Darken colors with ivory black and lighten with titanium white.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting lost in details too early without establishing the overall composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of figures and architectural elements.
  • →Overworking the painting and losing freshness.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, ultramarine blue, titanium white, cadmium red, ivory black, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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