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home·artworks·The Expulsion of Hagar
The Expulsion of Hagar by Claude Lorrain

plate no. 0294

The Expulsion of Hagar

Claude Lorrain, 1668

oil, canvasClassicismreligious paintinglandscapefiguresarchitecturetreesskyhills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering and color variations. It also provides practice in rendering classical architecture and figures within a landscape.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the architecture, figures, and landscape elements.

  2. step 02

    Establish the horizon line and the overall perspective.

  3. step 03

    Block in the sky with light, muted tones, creating a soft gradient from light to dark.

  4. step 04

    Paint the distant landscape elements, using lighter and cooler colors to create atmospheric perspective.

  5. step 05

    Add the middle ground, including the trees and hills, with slightly more saturated colors.

  6. step 06

    Paint the architecture and figures in the foreground, adding details and shadows.

  7. step 07

    Refine the details and add highlights to create depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · ultramarine blue · burnt sienna · ivory black

Achieve the muted tones by mixing white with small amounts of earth tones and blue. Use glazes of burnt sienna and raw umber to create depth and warmth.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·layering
  • ·soft blending
  • ·rendering classical architecture

common pitfalls

  • →Overworking the details in the distant landscape
  • →Using colors that are too saturated
  • →Failing to create a sense of depth
  • →Incorrect perspective on the architecture

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes
  • ·flat brushes
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →how to learn by studying the masters →
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